Spooktoper 2018: Starless and Shane Black – Thoughts On Mandy and The Predator

Referred to in the Twittersphere as the year’s most “metal” movie, without any definition of what “metal” might be in this context, Panos Cosmatos’ sophomore feature Mandy actually opens with King Crimson’s “Starless”. The analogy, then, is supposed to be progressive rock, before it became spoiled by post-Rush technical wankery (see: Alfonso Cuaron’s Children of […]

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